Team:

Carlo Luciano carlojr@terra.com.br

Marcela Gonçalves macheinha@hotmail.com

Social Group :

Carolina Campos

Ballet Dalal Achcar

Rua dos Oitis nº 20 - Gávea, Rio de Janeiro - RJ - Brasil

            The project was carried in the school of ballet Dalal Achcar, where courses of beginning level happen until professionalizing, with the Carolina teacher. The lessons are given for girls of age between 7 and 8 years for the learning of the dance and there is also a presentation to be carried through in the end of the year. In the lessons they happen beyond the trainings for the presentation, the learning of new movements, such as a new position of dance. From the set of words that composes the universe to vocabular of the Carolina we recognize as subject for the project: "the dancer with music forms the spectacle."

            During the lessons it is easy to notice because the set of music with the dancer to have harmony of the movements of it in relation to that if listening is necessary. On the basis of the experiments carried through and organized for the intercessor we identify its intention to work with the marking. Before concluding the construction of the end item, experimentations in such as with forms had been made (feet, "x", arrows, balls, lozenges etc.), as with material, EVA or bristol board.

            To leave of these conclusions, we develop a product: objects that would be used as marking, made of EVA, coated under with antiskid in the forms of "X", feet, arrows and mixtures of these three forms, being able to be used in set or separate.

            The experience acquired with the project is that for minor who seems everything she needs to be planned and clear-cut as it is the case of the position of the dancers in the stage of the theater. We all thank the Carolina for the concern during the period of the project so that everything was inside of the rules that generated in us a satisfaction and great friendship for it.

Subject: ART 1031

Class: 1AA e 1AE

Professor: Ana Branco e Carlos André Côrtes

portuguese version